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ABSTRACT
Writing
in the Multicultural Classroom: What Students Say
Carol Miller,
General College
Carolyn Evans, Research Assistant
This interview project examined the experiences and perceptions
of African American, Native American, and Hispanic students in
composition classes at the University of Minnesota. Our objective
was to collect primary and secondary data which provides clearer
information about the performance of students of color as learning
writers. This data should subsequently suggest accommodations
by which, as individuals and as members of distinct minority cultures,
students of color might be better served by University writing
programs.
The project was undertaken in two complementary stages. The first
stage, which built upon the principal investigator's previously
completed review of research pertaining to minority student achievement
in general, sought areas of overlap between that body of research
and current writing theory more specifically focused on the performance
of students of color. This phase of the project-identification
of mutualities by which these two bodies of research might inform
one another-flagged circumstances relevant to "minority" student
writers and created a context of inquiry enabling development
of interview instruments to learn more about these problems and
to identify potential solutions.
The second stage of the project involved a series of progressive
interviews of native-speaking students of color drawn from composition
classes in the College of Liberal Arts. To refine the interview
instrument of twenty-four items (with additional follow-up questions),
an initial set of interviews was conducted with a pilot group
of students of color who had already completed the two-course
composition sequence in the General College. The instrument itself
included questions which asked for 1) self-awareness assessment
of students' writing histories, processes, and overall competencies;
2) consideration of the activities and character of their completed
composition classes; and 3) speculation about the nature and demands
of academic writing and about any impact on students as learning
writers resulting from contentions of cultural experience and
the dialectics of the academic community.
The project generated thirty-one interviews and an annotated
bibliography of selected literature on minority student performance
and composition. Analysis of the data shows that students do not
receive significant writing practice in high school. In addition,
several areas of mystification for students surfaced. For example,
students had misconceptions about what made writing good and how
they could become good writers. They overemphasized surface writing
features, such as grammar and punctuation. Also, students were
often confused about course objectives and assignments. Overall,
however, students found writing practice, feedback from instructors,
and response from their conference group members to be beneficial
and useful.
We must continue to conduct both qualitative and quantitative
research in how diverse populations learn. We also need to re-examine
our pedagogical objectives and instruction strategies. What multicultural
classrooms need ultimately are new paradigms that negotiate cultural
transactions rather than cultural assimilation.
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